Area of Exploration - Time and Space

Non-literary texts and literary works are chosen from a variety of sources, literary forms and media that reflect a range of historical and/or cultural perspectives. Their study focuses on the contexts of language use and the variety of ways literary and non-literary texts might both reflect and shape society at large. The focus is on the consideration of personal and cultural perspectives, the development of broader perspectives, and an awareness of the ways in which context is tied to meaning.

This area of exploration focuses on the idea that language is a social capacity and as such is intertwined with community, culture and history. It explores the variety of cultural contexts in which texts are produced and read across time and space as well as the ways texts themselves reflect or refract the world at large. Students will examine how cultural conditions can affect language and how these conditions are a product of language. Students will also consider the ways culture and identity influence reception.

Students will investigate ways in which texts may represent, and be understood from, a variety of cultural and historical perspectives. Through this exploration students will recognize the role of relationships among text, self and other, and the ways in which the local and the global connect. These relationships are complex and dynamic. The background of an author and the make-up of an audience are not necessarily clear or easily described. Texts are situated in specific contexts and deal with or represent social, political and cultural concerns particular to a given time and place. For example, a text written to address the concerns of an author in contemporary society can be set in ancient times. Cultures that are geographically separated can share mores or ideas, while people living in proximity can embrace disparate traditions. Students will consider the intricacies of communication within such a complex societal framework and the implications that language and text take on when produced and read in shifting contexts.

Study and work selection in this area should allow students to explore texts and issues from a variety of places, cultures and/or times. The culture, biography of an author, historical events or narratives of critical reception will be considered and may be researched, but the focus of study will be on the ideas and issues raised by the texts themselves and a consideration of whether these are best understood in relation to an informed consideration of context. In this area of exploration, students examine the ways in which a text may illuminate some aspect of the political or social environment, or the ways in which a more nuanced understanding of events may affect their understanding or interpretation of a text. The study of contexts does not imply a static, one-to-one relationship between a text and the world, but sees the former as a powerful “non-human actor” across time and space.

Time and space aims to broaden student understanding of the open, plural, or cosmopolitan nature of texts ranging from advertisements to poems by considering the following guiding conceptual questions:

1. How important is cultural or historical context to the production and reception of a text?

2. How do we approach texts from different times and cultures to our own?

3. To what extent do texts offer insight into another culture?

4. How does the meaning and impact of a text change over time?

5. How do texts reflect, represent or form a part of cultural practices?

6. How does language represent social distinctions and identities?

Possible links to TOK

Links to TOK are related to the questions of how far the context of production of a text influences or informs its meaning and the extent to which the knowledge a reader can obtain from a text is determined by the context of reception. Examples of such links to TOK include:

How far can a reader understand a text that was written in a context different from their own and which may have addressed a different audience?

Is not sharing a world view with an author an obstacle to understand their text?

What is lost in translation from one language to another?

How might the approaches to a given time and place of a poet, a cartoonist or a diary-writer and a historian differ?

Is the notion of a canon helpful in the study and understanding of literature? How does a canon get established? What factors influence its expansion or change over time?